She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. She stooped and kissed the little withered face.!

“I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.” She was sitting by the window, her hands folded. Joan had been reading to her, and the chapter finished, she had closed the book and her thoughts had been wandering. Mrs. Phillips’s voice recalled them.

And suddenly—as years before in a Paris music hall—there leapt to life within Joan’s brain a little impish creature that took possession of her. She hoped the miracle would not happen. The little impish creature within her brain was marching up and down beating a drum. She wished he would stop a minute. Someone was trying to talk to her, telling her she ought to be tremendously shocked and grieved. He—or she, or whatever it was that was trying to talk to her, appeared concerned about Reason and Pity and Universal Brotherhood and Civilization’s clock—things like that. But the little impish drummer was making such a din, she couldn’t properly hear. Later on, perhaps, he would get tired; and then she would be able to listen to this humane and sensible person, whoever it might be. It was Mrs. Munday, poor soul, who all unconsciously had planted the seeds of disbelief in Joan’s mind. Mrs. Munday’s God, from Joan’s point of view, was a most objectionable personage. He talked a lot—or rather Mrs. Munday talked for Him—about His love for little children. But it seemed He only loved them when they were good. Joan was under no delusions about herself. If those were His terms, well, then, so far as she could see, He wasn’t going to be of much use to her. Besides, if He hated naughty children, why did He make them naughty? At a moderate estimate quite half Joan’s wickedness, so it seemed to Joan, came to her unbidden. Take for example that self-examination before the cheval glass. The idea had come into her mind. It had never occurred to her that it was wicked. If, as Mrs. Munday explained, it was the Devil that had whispered it to her, then what did God mean by allowing the Devil to go about persuading little girls to do indecent things? God could do everything. Why didn’t He smash the Devil? It seemed to Joan a mean trick, look at it how you would. Fancy leaving a little girl to fight the Devil all by herself. And then get angry because the Devil won! Joan came to cordially dislike Mrs. Munday’s God. The speaker ceased. There came a faint sound at which she turned her head; and when she looked again he was gone.